On-Trade-Off: LUNÄ Talk
17.05–19.05.2019: Contour Biennale 9: Coltan as Cotton - Phase II, Mechelen, BE

This LUNÄ Talk, held as part of On-Trade-Off, will focus on the environmental, social and economic implications of the extraction and processing of lithium. Hosted by the artists Marjolijn Dijkman and Maarten Vanden Eynde, researchers Raf Custers, Jeroen Cuvelier, Zheng Li, Tine Hens will engage in conversation with the artists Femke Herregraven, Sammy Baloji and Jean Katambayi who are part of the project On-Trade-Off.

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Research Residency
01.04–14.04.2019: HIAP, Helsinki, FI

HIAP offers space for experimental, cross-disciplinary art practices and to actively contribute to topical debates. With on the 3rd of April: Artist Talk at Publics, Helsinki & on the 5th of April: Post-Fossil Transition Project: Learning Circle hosted by Marjolijn Dijkman at HIAP Suomenlinna.

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Time Within Time
11.11.2018–07.04.2019: Verbeke Foundation, Kemzeke, BE

The sculptural installation Liquid Properties, realised in collaboration with Toril Johannessen, is currently on view as part of the group exhibition Time Within Time at Verbeke Foundation, a private art site where culture, nature and ecology go hand in hand. Liquid Properties is an experiment that looks at how we relate to (microscopic) life, questioning what is considered attractive, natural, resilient, repulsive, toxic or harmful.

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ARTEFACT 2019 - Parallel Crossings
21.02–10.03.2019: STUK, Leuven, BE

Human beings, nature, money, data, goods ..., all around us, nearby or very far away, everything is continuously in flux. The artists in this exhibition do not position themselves in the focal points of current events. They move quietly and unravel the deeper nature of mankind as a species in constant motion.

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E.S.P. - Visual Fields
03.03.2019: Cinematheque, Vancouver, CA

E.S.P. will present work that complicates notions of science and fiction and the binary systems of knowledge they have come to represent. The series opens with Reclaiming Vision(2018), by Marjolijn Dijkman and Toril Johannessen and Motion at a Distance (2018) by Lindsay Packer and Andrew Yong Hoon Lee. The screening will conclude with Phase Transitions in Liquid Crystals (1978) by Jean Painlevé.

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Navigating Polarities
15.12.2018–23.02.2019: Solo, NOME, Berlin, DE

Navigating Polarities, measures the blind spots of anthropocentric perspectives alongside – in underwater filmmaker Jean Painlevé’s words – “the mysteries and miracles of nature”. Exploring perception and world views through the lens of diverse fields of thought, the artist asks: How can shifting between the macroscopic and the microscopic help us to imagine complex systems that are otherwise hard to grasp?

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The Future Stands Still But We Move In Infinite Space
17.01–23.02.2019: OSL Contemporary, Oslo, NO

The works in this group exhibition will create an awareness of how different elements are entangled in a network of relations. The complexity and relational nature in the works offer a change of perspective of the world and our place in it.

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Post-Water
22.01–22.02.2019: Museo Nazionale della Montagna CAI Torino, Turin, IT

Post-Water is part of a global debate on a theme of water, the most essential natural element that generates and guarantees the maintenance of life, only one of the goods that suffer from the acute crisis of the sense of responsibility of our time.

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Magic and Rituals
04.11.2018–10.02.2019: Museum Villa Rot, Burgrieden-Rot, DE

Our times are characterised by pragmatism, rationality and economy. Often, especially in epochs of this kind, people's desire for magic and magic, for unfathomable powers, is awakened. As alternative models to strictly scientific facts, incomprehensible phenomena are also of great interest to artists. The exhibition demonstrates how artists deal with miraculous phenomena and the human desire for magic.

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Reclaiming Vision
06.12–16.12.2018: Solo, Entrée, Bergen, NO

Captured through a light microscope, ‘Reclaiming Vision’ features a diverse cast of microorganisms. The film reveals various processes in the water that are hidden to the naked human eye. By investigating the brackish water, its inhabitants, its properties, and the traces left by human activities, the film is a reflection upon the relationship we humans have with our surroundings, especially through what we cannot see.

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