Somehow, even though when we look into space and we can only see the light sources of the past, throughout time we seem to associate space with the future. In for instance Astrology, the movement of celestial bodies are believed to have an influence on the future development of life on earth and throughout history flyby comets and falling stars are believed to have brought respectively disaster or opportunity.
Another more contemporary form of projecting our destiny into space, evolves around the idea that space colonisation is our only way out of the situation where mankind is ‘marooned’ on this planet, facing a situation where the impact of mankind on it’s environment and each other is irreversibly out of control. According to some is the only way for human kind to survive in the future would be include us being out there, somewhere in space.
The film is exploring scenarios that propose for instance that living inside an asteroid will be leading us to the ‘ultimate human society’ and developments in deep space mining currently being developed worldwide motivated to be an inevitable next step in the expansion of technological evolution, a solution for the future lack of resources here on earth and in possible future space colonies.
Prospect of Interception is referencing thoughts and fragments compiled out of the writings of amongst others: John Allen, Celu Amberstone, Anaxagoras (510 - 428 B.C.), Svante Arrhenius (1859 - 1927), Erik Asphaug, Marc Augé, Robert W. Balch, George Bataille (1897 - 1962), Ragbir Bhathal, Peter T. Bobrowsky, Alexander Bogdanov (1873 - 1928), Niels Bohr (1885 - 1962), Rebecca Boyle, Stewart Brand, Giordano Bruno (1548 - 1600), John B. Campbell, James Carney, Lucretius Carus (99 - 55 B.C.), Von Del Chamberlain, David Chalmers, Friedrich Chladni (1756 - 1827), Rudolf Clausius (1822 - 1888), Aniel E. Clemens, Bill Clinton, Giuseppe Cocconi (1914 - 2008), Godfrey Copley (1653 - 1709), Francis Crick (1916 - 2004), David Darling, Paul Davies, Richard Dawkins, Michael Dawson, Frank Drake, René Dubos (1901 - 1982), Jerold Emhoff, Epicurus (341- 270 B.C.), Ernest Florens (1756 - 1827), Nikolai Fyodorov (1829 - 1903), Hugo de Garis, Bill Gerken, Alice Gorman, Brian Greene, Edward Harrison (1919 - 2007), Stephen Hawking, Kiyotsugu Hirayama (1874 - 1943), Jim Holt, Sir Fred Hoyle (1915 - 2001), David Hughes (1930 - 2005), James Hutton (1726 - 1797), Aldous Huxley (1894 - 1963), Chris Impey, Emmanuel Kant (1724 - 1804), Lord Kelvin (1824 - 1907), Ray Kurzweil, Stanislaw Lem (1921 - 2006), John S. Lewis, John E. Mack (1929 - 2004), Ernest L. Martin (1932 - 2002), Karl Marx (1818 - 1883), Ernst Mayr (1904 - 2005), Kim Arthur Mayyasi, Marcin Milkowski, Conway Morris, Philip Morrison (1915 - 2005), Barbara D. Moskowitz, Teng Mu (1247 - 1306), Mark Nelson, Ruth E. Norman (1900 - 1993), Nicole Oresme (1325 - 1382), Mary Oberthur, William Paley (1743 - 1805), Blaise Pascal (1623 - 1662), Larry J. Paxton, Hans Rickman, Eleanor Rosch, Carl Sagan (1934 - 1976), P. Steven Sangren, Marshall T. Savage, Dirk Schulze-Makuch, Sveltana Semenova, Michael K. Shepard, Lee Smolin, Marc Sonter, Paul D. Spudis, Donald K. Stern, Mel Tappan (1933 - 1980), Thomas F. Torrance (1913 - 2007), Total Overcomers Anonymous, K. E. Tsiolkovsky (1857 - 1935), Peter Van De Kamp (1901 - 1995), Shirley Ann Varughese, Vladimir Vernadsky (1863 - 1945), Erich Von Daniken, George Wald (1906 - 1997), Barbara Ward (1914 - 1981), Steven Weinberg, Roger W.Wescott (1925 - 2000), Walt Whitman (1819 - 1892 ), Chandra Wickramasinghe, Craig S. Womack, M. Jane Young, George Zebrowski.
This work is part of the collection of the Power Station of Art, Shanghai, CN
This animation film centers around a the impact or influence of a simulated asteroid on the future of life (on earth or in space). The animation explores amongst others the asteroid as a potential threat or as an opportunity to escape our biosphere system; the carrier of life (panspermia) and or intelligence; or the one bringing death and extinction. Besides these topics it orbits around an ancient fundamental human question: Are we alone?
The accompanying multi-lingual narrative is non-lineair and associative, encouraging the viewer to speculate along while observing the fictional asteroid slowly turning around in space. The two hour subtitle text is assembled different found sources by over a 100 authors. Topics are ranging from science (astronomy / astro-physics / cosmology / cognition) to spirituality, and from various historical sources throughout time and culture, all relating to space, space exploration, celestial bodies and SETI / astrobiology research amongst others.
The text is translated into Chinese, English accompanied with five other changing languages (Hindi, Arabic, Russian, Japanese and Spanish), all largely spoken official world languages and relating to countries involved in important space programs, astronomical projects, SETI research and future asteroid mining. The text is often speaking in 'the name of humanity' in a quite conflicted way. The multiple languages enhance the suggestion of a universal voice and in the same time adds another layer of complexity in the interpretation.
Prospect of Interception, Installation view, 2016
(photo by Anna Dasović)
Sample - Prospect of Interception (8 min.)
Commissioned by: 11th Shanghai Bienniale, 2016
Animation: Jeroen Koffeman
Sound composition: Ji Youn Kang
Duration: 120 minutes (HD)
Installation: HD projection on a matt black surface