Mundaneum, Mons, Belgium
Mundaneum, Mons, Belgium
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Speakers:

Stéphanie Manfroid
Topic of talk: Paul Otlet: Network and Knowledge
Keywords: UDC/ Encyclopaedia/ Universal Knowledge/ International movement for Peace with Knowledge.




Drawing Paul Otlet




De Geuzen

Topic of Talk and Presentation: Image Tracer, Global Anxiety Monitor
Keywords: list, live browsing, query, tracing, memory, monument to the now, data archeology, narrative archiving, image ecology, public repository.
Exhibitions and workshops have come to operate as temporary framing devices and places for speculation with different publics. Characterizing what we do as research, contextualizes our practice out of the traditional object model of artmaking. It implies that our practice is durational. The multi-visual aspect refers to the fact that we don’t privilege any given medium. Depending on the nature of the project, we use different visual strategies to engage our audience in issues we’re interested in.

Installation Global Anxiety Monitor
Screenshot Image Tracer (in collaboration with Tsila Hassine)


Metahaven

Presentation of Exodvs: Multipolar Search (Vinca Kruk, Gon Zifroni)
Keywords: (corporate) identity, politics, history, aesthetics, resistance, cryptography, branding, iconography, heraldry, disappearance, empire, conspiracy
Metahaven is  based in Amsterdam and Brussels, is a studio focusing on design and research in visual identity and architecture. Its partners are Vinca Kruk, Daniel van der Velden and Gon Zifroni. Metahaven exists since 2003.

Exodvs explores a strategy for web search tentatively called a 'research engine'. The project emerged out of a conference on search engines called the Forum on Quaero, which has taken place in Fall 2007. Search engines often simply reward the accumulation of linkage of a site by increasing its visibility in the search results, resulting in more linkage and relevance. The Exodvs search strategy attempts to expose the gaps, or 'structural holes', which exist between spheres of information (heavily linked networks separated by non-linkage, or, alternatively: held together by self-referentiality). Exodvs attempts to highlight those sites that bridge gaps by linking to multiple spheres. The present works are drafts for a visualization of this web architecture; a series of  prototypes based on different search queries. The separations and connections these lead to when combined with much more specific subqueries – which account for semantic separations or contextual value given to words – are shown here. Exodvs is the compound name for a 'research engine' into algorithms and visual strategies for searching the internet, revealing the structural properties of web content and its inherent distribution of influence. 
A first run of queries, around 'Europe', produced gaps between various definitions and values of Europe as different spheres hold them in common. This piece was produced as part of ISEA2008, International Electronic Arts Festival Singapore, August 2008. A second run of queries was run around 'Karadzic', and produced as part of a publication for the Pancevo Biennial, Serbia, September 2008.

Exodvs, Metahaven
    

Sabine Niederer
Topic of talk: Wikipedia and the Vigilance of Crowds
Keywords: wikipedia, technicity of content, wisdom of crowds
Sabine Niederer is the managing director of the Institute of Network Cultures. In January 2008 she has started her PhD research at the University of Amsterdam, Mediastudies, new media. Before joining the INC in 2004 she worked as a producer and curator of international events on new media, arts and digital culture, such as Hoogt 4 (2001-2004) and Level Up Games Conference (2003). In 2002 she earned her MA from Utrecht University, where she studied art history, and new media and digital culture. Sabine has taught media and design theory, is a freelance curator of art and new media projects such as Impakt Online, and publishes regularly on new media, art and popular culture. As a researcher, she is affiliated with the Amsterdam-based Digital Methods Initiative.



Joachim Schmid
Reload Currywurst, Photo Sharing: You Can Eat Your Sausage and Have It, Too
Virtually everybody is a photographer today, and it is rather obvious that the exponentially growing quantity has turned into the foremost quality of photography. The number of photographs that are taken every minute will continue increasing - and that's maybe one of the very few things we can predict with reasonable certainty. The talk is concerned with photography in the age of digital mass entertainment and online photo sharing. Photo hosting websites such as Flickr have turned into the biggest image pool that was ever accumulated in the history of mankind. For the first time, a substantial portion of the photographic production is accessible for a general audience. Photography has started to play a new multifaceted role as a social networking tool. The talk explores this ongoing change emphasizing one particular motive: Currywurst.

Joachim Schmid (* 1955) studied Visual Communication in Schwäbisch Gmuend and Berlin. He  lives in Berlin and has been working with found photographs since the early 1980s. In 1990 he founded the „Institut zur Wiederaufbereitung von Altfotos“ (The Institute for the Reprocessing of Used Photographs).


     

Formatting Utopia
Location:
Mundaneum, 76 rue de Nimy, Mons, BE  
Date: 17 November 2008, timing 13.00 - 20.00h.
Speakers: Stephanie Manfroid De Geuzen, Metahaven, Sabine Niederer, Joachim Schmid
Organisation: Annette Schemmel  and Marjolijn Dijkman  in collaboration with FRAC NPDC and the Mundaneum

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