Back to works


'Cloud to Ground' #01, 2021, Floor installation, sand from Lommel in Belgium and artificial fulgurites from sand from former coal mining site in Genk in Belgium.

"Electricity is not only a great microcosm for demonstrating larger Enlightenment movements, but it also was the central scientific advancement of the period. In fact, many literary puns playing on the symbolism of reason and discovery were used in connection with electricity. Electricity was an obvious check on religion’s powerful hold on society. It demonstrated through Franklin’s lightning rod (not without a fight) that man was beginning to demonstrate control over nature, or at least over what once was termed “God’s wrath”." on 'An Entertainment for Angels' by Patricia Fara


_

The Lightnings Slayers, an essay by Galit Eilat about the solo exhibition Electrify Everything at NOME, 2021 including works in the series 'Cloud to Ground'.

Cloud to Ground
2021

The works in the sculptural series Cloud to Ground refer to fulgurites, a phenomenon commonly referred to as “fossilized lightning.” Formed when electricity discharges into the ground, these formations comprise masses of vitrified organic debris.



'Cloud to Ground'
#02, 2021 Resin and artificial fulgurite with sand from future lithium mining site in Manono in DR Congo.

Made in collaboration with an electro-technician, Dijkman created artificial fulgurites by discharging electricity into earth collected from mining sites in Belgium and the Democratic Republic of Congo, which she then suspended in resin pyramids and installed in a floor installation.

'Cloud to Ground' #03, 2021 Resin and artificial fulgurite with sand from former coal mining site in Genk in Belgium.

_

Cloud to Ground #1 - floor installation
Variable dimensions
Produced in collaboration with Lukas Pol
Supported by FLACC, Genk, BE