News

‘Waker, Slaper, Dromer’ (Watcher, Sleeper, Dreamer) is a series of three walks named after the poetic names and functions of dike systems in the Netherlands. These walks are organized by visual artist Marjolijn Dijkman as part of her WaterLANDS artist residency (2023-2026), which focuses on ecological restoration and depoldering in the context of the Ems-Dollard estuary in the North of the Netherlands.

During the first joint walk, ‘De Waker’ (The Watcher), together with artist Marjolijn Dijkman, botanical archeologist Mans Schepers and landscape philosopher Eric Brinckmann, we look at elements in the newly shaped Twin Dyke landscape and the broader context of the estuary and interpret it from the perspective of the watcher in a broad sense.

How does this newly formed landscape affect our relationship with this environment and the uncontrolled estuary beyond the dikes? What can we learn from this new landscape, and how does it relate to the past of Groningen with mound communities that lived in the salt marshes? (Dutch only)

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Why is land art particularly relevant today? What are its new manifestations? How do we deal with these often impermanent works of art? And how does land art shed light on the urgent ecological and social issues of today?

International conference on the future of land art, with Humberto Moro of the Dia Art Foundation (USA), Lisa Le Feuvre of the Holt/Smithson Foundation (USA), Britta Peters of Urbane Künste Ruth (GER) and many others.

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CurieuCity cultivates curiosity and wonder in everything that surrounds us individually and collectively. It’s a festival that aims to combine the scientific rigor of universities with the experiential impact of art, STEAM education (Science, Technology, Engineering, Arts, and Mathematics), and socio-cultural action.

Each edition of the festival often addresses a question inspired by the reality of the neighborhood where it is located. The next iteration delves into the world of water, biodiversity, and natural sciences in the Wiels Swamp neighborhood.

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From sunrise to sunset, artists will move in and between Mu.ZEE and KAAP in Ostend. Several performances will start, some ongoing.

Some are visible and loud, others barely perceptible.

The actions follow the rhythm of the sun, the tides, and the clock.

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This event is part of the exhibition Power Up, Technical Imaginaries, and Social Utopias, which refers to energy infrastructures from a feminist perspective.

‘Why Installing Women and Solar Panels is Not Enough’, lecture by Cara New Daggett.

‘Electrify Everything’ performance by Marjolijn Dijkman and Pom Bouvier-b
Electrify Everything is a critical exploration of the origins of the units and language used to measure electricity. The performance draws on the magic of the first demonstrations of electrical phenomena in the 18th century.

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On the evening of 25 March, when the moon is full, this LUNÄ Talk will focus on the transition from one energy to another, from one infrastructure to another. How can we envisage transitions without considering the need to bring history to a close before embarking on new projects? The history of energy is written as a race towards the new, towards renewal, without ever questioning the possibility of moving towards solutions of repair or transformation. It’s about turning pages and arguing that the future will be more efficient, appropriate, or cleaner.

Contributors: Fanny Lopez, Clémence André, Marie Lechner, Stéphanie Schmitt, and a written contribution by Cara New Daggett.
Hosted by: Marjolijn Dijkman & Maarten Vanden Eynde

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The première of the new iteration of ‘Electrify Everything’ with live sound composition by Pom Bouvier b., live film projection by Marjolijn Dijkman, and a recorded text by Jean Katambayi spoken by François Makanga

The 4th edition of the NOVA_XX Biennale will feature the work of 41 artists. Among the works presented in the anarkhè-exposition, several focus on cosmogonies in the liquid age, on the imaginary of space conquest, measuring instruments and nano worlds, and others on bio-art that allows us to measure the space of the duration of their display of non-human performativities, and still others on issues of geoengineering and artificial intelligence.

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The evening will be dedicated to what has been described as “green colonialism,” the development of renewable energy futures that often involves the dispossession of communities and the degradation of ecosystems. The event will focus on the consequences of the extraction of lithium, a scarce resource that plays a key role in the so-called green transition necessary for a more sustainable world. With: Marina Otera Verzier and On-Trade-Off.

The evening will be followed by a conversation, moderated by Nikolaus Hirsch and Silvia Franceschini, and Electrify Everything, a performance by Pom Bouvier-b and Marjolijn Dijkman (with a text by Jean Katambayi Mukendi).

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LASER Talk with Frank Theys, Eva- Maria Lopez, Ronny Blust, Edith Doove, Marjolijn Dijkman, Florian Zanatta. MAXLab invites artists and scientists working at the intersection of art and technology to a debate on reintroducing the human element at the center of scientific and technological progress and the role of the arts in this.

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From the 1st of October 2023, Marjolijn Dijkman will be part of the artistic research cluster Deep Histories Fragile Memories as a Ph.D. candidate at LUCA – School of Arts Brussels / Leuven University under the supervision of Wendy Morris. Research of the members of dhfm engages with the recuperation of marginalised histories, with ecologies and situated enquiries, with experimental writing, listening, and the shaping of new narratives.

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This Tryday, artist Marjolijn Dijkman, composer Henry Vega, percussion instrument maker Orlando Aguilar Velazquez and electro-technician Lukas Pol will share the first robotic experiments for the film and sound installation Between the Lines (work in progress). Between the Lines will trace the monumental impact of climate change, industrialization, and the First World War in the polluted and traumatized landscapes of the ‘Zone Rouge’ in the North East of France.

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With Pom Bouvier b., Marjolijn Dijkman and Jean Katambayi Mukendi.
‘Electrify Everything’ invites the audience to reflect on the structuring power of electricity and its relation to resources and exploitation. Pom Bouvier-b. and Marjolijn Dijkman will create a sound composition using the electric charge of specific objects and devices as a medium, playing on the variations of magnetic fields. Jean Katambayi Mukendi wrote a text for the performance based on the language of electricity. The units of electricity create different chapters that explore the history and the current state of energy production in an associative and poetic interpretation of electric terminology.

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Liquid Structures is a three-day programme of film screenings, exhibitions, and talks in the public space. With: Sol Archer; Ana Dziapshipa; Hito Steyerl;  Marjolijn Dijkman & Toril Johannessen; Cyprien Gaillard; Jonas Brinker; Emma Van Der Put; Piotr Armianovski; Meggy Rustamova; Uta Bekaia;  Zachary Formwalt; Jonathas de Andrade; Amauta Garcia & David Camargo; Marta Hryniuk & Erica Roux; Marco Pando; Li Ming; Sophio Meidoidze.

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Aquatic Tales presents three films that merge elements of documentary, fiction and abstraction, with water and aquatic life as central elements. The films reflect upon our relationship with water and thereby express a critical view on industrial and capitalist practices that distance us from nature.

With films by: Marjolijn Dijkman & Toril Johannessen, Tanja Engelberts, Patrick Hough.

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The first LUNÄ talk in the US with a brand new copy of the table around which the Lunar Society met on full moon between 1765 and 1813 in Birmingham, UK. LUNÄ will be inaugurated on the last day of the exhibition Ars Memoriae surrounded by the artworks. Drawing inspiration from the themes of Ars Memoriae, the topic will be memory devices – past and future, bodily and external, real and imagined. The featured speakers are André Fenton, a neuroscientist at NYU; Elaine Sullivan, a curatorial fellow at The Met; Congolese artist Musasa; Jennifer Tucker, a historian at Wesleyan University.

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Live performance by Henry Vega and Jan Willem Troost with ‘Reclaiming Vision’ (Marjolijn Dijkman & Toril Johannessen 2018) at 30 October 2021 (20:30). This film reveals various processes in the water that are hidden to the naked human eye, and is a reflection upon the relationship we humans have with our surroundings, especially through what we cannot see.

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“Some species are more attractive to us than others. Whether we like it or not, we have a hierarchy of living things. Until recently, animals took precedence over plants. Today, plants have reclaimed their place and are at the heart of countless scientific studies, artistic creations, discourses and theories. Some, however, are more desirable than others. The tree is one of these emblematic plants that we love. It is one of the main themes of this Rencontre LASER, part of the Roots & Seeds XXI European project. Biodiversity crisis and plant resistance, of which Leonardo/Olats is a partner.” (LASER Talk in French)

With: Amandine Cornille, Marjolijn Dijkman, Marc-Williams Debono

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Auscultation is a public and experimental launch of the “Between the Lines” project in collaboration with Vent des Forêts at Festival Les Nuits des Forêts. Day with two gatherings with: Office National de Forets, CA et forêt privée, COFOR and artist Marjolijn Dijkman.

During the experimental session Auscultation, we can hear how long sound frequencies resonate in the trees and whether or not they are interrupted. The duration of resonance is influenced by the amount of water in the trees, the density of the wood, and whether the trees are alive or dead.

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The COAL Prize dedicates its 2021 edition to the crucial issue of forests at the center of the climate crisis and ecological transition. Nominated artists: Karin Bolender (US), Marjolijn Dijkman (NL), Sara Favriau (FR), Collectif Fibra (PE), Julie C. Fortier (CN), Beya Gille Gacha (FR), Noémie Goudal (FR), Vincent Laval (FR), Erik Samakh (FR), Feda Wardak (FR). Award ceremony 16 June 2021.
Created in 2010 by the COAL association, the COAL Prize has in ten years become a vehicle for the identification, promotion and dissemination of artists all over the world who dare to imagine and experiment, to transform territories, lifestyles, organizations and production methods.

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Sonic Acts Academy is a three-day festival at the intersection of innovative audio-visual and performative art and critical thinking, motivated by changes in the ecological, political, technological and social landscape.  The Academy also invites visitors to join for a conference that features cutting-edge emerging and well-known artistic voices.

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Georges Senga (member of Picha) and Marjolijn Dijkman (co-founder of Enough Room for Space) will introduce ‘On-Trade-Off’, an artistic trajectory initiated by the artists’ initiatives Picha (Lubumbashi, DRC) and Enough Room for Space (Brussels, BE) and some of the works they have developed within this project. Focusing on this one chemical element (Li3) allows the project to zoom in on particular social, ecological, economic and political phenomena that characterise the production processes currently experiencing rapid growth.

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In this Amsterdam edition – also moonlit – experts with different scholarly backgrounds will focus on the ecological, social and economic consequences of the extraction and processing of lithium and cobalt. They will look both at the history of electricity and the current use of raw materials from the DRC for electronics and energy storage.

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E.S.P. will present work that complicates notions of science and fiction and the binary systems of knowledge they have come to represent. The series opens with Reclaiming Vision(2018), by Marjolijn Dijkman and Toril Johannessen and Motion at a Distance (2018) by Lindsay Packer and Andrew Yong Hoon Lee. The screening will conclude with Phase Transitions in Liquid Crystals (1978) by Jean Painlevé.

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Spectral Exchange seeks to use the electromagnetic spectrum as both a structural and thematic framework to draw out connections between disparate domains of knowledge and practice.

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