Uncertain Horizon
06.03–16.05.2021: WAM (Turku City Art Museum), Turku, FI


This exhibition examines the changing sea around us. Things that we have taken for granted are uncertain and causal chains are surprising in the future. Changes in the horizon and emotions reflected by the sea are pondered over in the exhibition with the help of the works of contemporary international and Finnish artists.

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Sustainable Societies for the Future
01.02–23.05.2021: Malmö Art Museum, Malmö, SE

With: Catrin Andersson, Christian Falsnaes, Tue Greenfort, Max Guy, Ilkka Halso, Minna Henriksson, Ane Hjort Guttu, Hesselholdt & Mejlvang (Sofie Hesselholdt, Vibeke Mejlvang), Ingela Ihrman, Toril Johannessen & Marjolijn Dijkman, Floating Museum, (P)Art of the Biomass (Janna Holmstedt, Malin Lobell), Cheryl Pope, Sean Raspet, Michael x. Ryan, Nilsmagnus Sköld, Sophie Tottie, Wang & Söderström (Anny Wang, Tim Söderström), Amanda Williams.

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Earthing Discharge
04.09.2020–21.03.2021: Contemporary Arts Center (CAC), Cincinnati, US

For her new commission in the CAC Lobby, Marjolijn Dijkman creates a custom collage comprised of photographs depicting obsolete ephemera associated with economies of energy—minerals, circuit boards, personal devices, and batteries. The photographs are captured using a high voltage photography technique with conductive glass, sourced from smartphones.

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Alternate Assembly
21.01–23.01.2021: Online, Expo Chicago, US

With: Hesselholdt & Mejlvang, Carla Acevedo-Yates, Regina Agu, Carolina Caycedo, Stephanie Cristello, Ryan N. Dennis, Marjolijn Dijkman, Luise Faurschou, César García-Alvarez, Floating Museum, Elizabeth Hénaff, Toril Johannessen, Kirse Junge-Stevnsborg, Laura Lupton, Haley Mellin, Srimoyee Mitra, Cristina Molina, Hương Ngô, Katie A. Pfohl, Sean Raspet, Jodi Roberts, Mika Rottenberg, Shuddhabrata Sengupta, Kate Sierzputowski, Xaviera Simmons, Kim Stringfellow, Oscar Tuazon, Neville Wakefield, Willie Wright.

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Plan B
05.12.2020–12.02.2021: NOME, Berlin, DE

NOME is pleased to announce the group exhibition Plan B, featuring works by James Bridle, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman, Goldin+Senneby, Igor Grubič, Khaled Hafez, Voluspa Jarpa, Rajkamal Kahlon, Navine G. Khan-Dossos, Sajan Mani, Ana Prvački, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

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Spoiled Waters Spilled
11.09–25.10.2020: Les Parallèles du Sud, Manifesta 13, Marseilles, FR

Spoiled Waters Spilled focuses on the notion of toxicity, of circulation, of water (rivers), on ecology and activism. With: Minia Biabiany, Jessika Kharzik, Marjolijn Dijkman & Toril Johannessen, Witnesses, Marianne Fahmy, Rikke Luther, Elvia Teotski.

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SOLO 27 - MARJOLIJN DIJKMAN
10.09–25.10.2020: Club Solo / Breda Photo, Breda, NL

Solo exhibition by Marjolijn Dijkman at Club Solo in collaboration with S.M.A.K. Ghent, BE, part of Breda Photo 2020. A publication about the exhibition will be launched at the finissage. Breda Photo is the largest photo exhibition in the Benelux and is held every two years in Breda.

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A LEXICON
30.04–24.07.2020: NOME, Berlin, DE

Featuring works by Nora Al-Badri and Nikolai Nelles, James Bridle, Ingrid Burrington, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman and Toril Johannessen, Goldin+Senneby, Igor Grubić, Khaled Hafez, Navine G. Khan-Dossos, Sajan Mani, Matthew Plummer-Fernandez, Quayola, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

Curated by Luca Barbeni and Jesi Khadivi.

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6th Sounds of Silence Festival (POSTPONED)
13–15.03.2020: DNR Film Club, The Hague, NL

Life performance by Henry Vega and Jan Willem Troost with 'Reclaiming Vision' (Marjolijn Dijkman & Toril Johannessen 2018). This film reveals various processes in the water that are hidden to the naked human eye, and is a reflection upon the relationship we humans have with our surroundings, especially through what we cannot see.

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Reset
29.02–22.03.2020: Art Souterrain Festival 2020, Montréal, CA

Humanity is at a turning point. Individually and collectively, if they want to survive, human beings need to change their way of connecting with the world but also with each other. Is Manichaeism the only solution? Should we only think in terms of utopia and dystopia in order to discover new avenues?

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