Marjolijn Dijkman

Tryday: Between the Lines 02.06.2023: Tryday, V2_ Lab for Unstable Media, Rotterdam, NL

This Tryday, artist Marjolijn Dijkman, composer Henry Vega and electro-technician Lukas Pol will share the first robotic experiments for the film and sound installation Between the Lines (work in progress). Between the Lines will trace the monumental impact of climate change, industrialization, and the First World War in the polluted and traumatized landscapes of the ‘Zone Rouge’ in the North East of France.

Première: Electrify Everything 27.05.2023: Framer Framed, Amsterdam, NL

With Pom Bouvier b., Marjolijn Dijkman and Jean Katambayi Mukendi.
'Electrify Everything' invites the audience to reflect on the structuring power of electricity and its relation to resources and exploitation. Pom Bouvier-b. and Marjolijn Dijkman will create a sound composition using the electric charge of specific objects and devices as a medium, playing on the variations of magnetic fields. Jean Katambayi Mukendi wrote a text for the performance based on the language of electricity. The units of electricity create different chapters that explore the history and the current state of energy production in an associative and poetic interpretation of electric terminology.

WaterLANDS Artistic Engagement Residency 2023-2026: Ems-Dollard Estuary, NL

The Horizon 2020 project WaterLANDS (Water-based Solutions for Carbon Storage, People and Wilderness) has selected seven artists (six artists or artistic collaborations) to complete a 4-year part-time placement as part of the WaterLANDS Artistic Engagement Residency. The artists are Maria Nalbantova (Bulgaria), Elo Liiv (Estonia), Christine Mackey (Ireland), Claudio Beorchia (Italy), Marjolijn Dijkman (Netherlands), and Laura Harrington and Fiona MacDonald(Feral Practice) (United Kingdom).

On-Trade-Off: Charging Myths 23.02–04.06.2023: Framer Framed, Amsterdam, NL

On-Trade-Off is an artist collective that works on the contemporary dimensions of a question as old, as mythical and as strategic as our relation to energy. Taking the recent run on lithium as a starting point, the project explores a wide range of issues in the history of electricity, from raw materials for technology industries to financial speculation. Charging Myths brings together the extremes of the world-spanning value chains, and abusive mining economies, from its exploitative mining economies to the seductive surface of products.

With: Alexis Destoop, Marjolijn Dijkman, Pélagie Gbaguidi, Femke Herregraven, Alain Nsenga, Jean Katambayi Mukendi, Dorine Mokha & Elia Rediger, Musasa, Georges Senga, Pamela Tulizo, Maarten Vanden Eynde.

3rd Chronique Biennale: The Night 10.11.2022–22.01.2023: Marseille, FR

The 3^rdedition of the Biennale of Digital Imagination will take place in Aix-en-Provence, Marseille and Avignon. Through its opening nights, exhibition trails and industry events, the Biennale provides a chance for 60 or so digital artists to explore the theme of The Night. Imagined as being a journey, these nights invite you to discover a complete panorama of the Biennial between Marseille and Aix-en-Provence through exhibitions, works in public spaces, concerts, performances, and meetings.

Performing Objects 14.10–14.12.2022: Cc Strombeek-Grimbergen, BE

At Cc Strombeek Performing Objects will present the personal results of their artistic research between 2014-2022. On the 12th of November Henry Vega and Jan Willem Troost will perform live with the screening of Reclaiming Vision by Marjolijn Dijkman & Toril Johannesen.

"Captured through a light microscope, ‘Reclaiming Vision’ reveals various processes in the water that are hidden to the naked human eye. By investigating the brackish water, its inhabitants, its properties, and the traces left by human activities, the film is a reflection upon the relationship we humans have with our surroundings, especially through what we cannot see. The music for the film is a composition for electronics, cello and voice, created by Henry Vega.

Residency Period - Development Performance 26.09–03.10.2022: Q-O2, Brussels, BE

Pom Bouvier b. and Marjolijn Dijkman will further develop their collaborative live performance ‘Electrify Everything’ (worktitle), which reflects on the structuring power of electricity and its relation to extractivism. They both use an experimental technique that brings the organicity back into a phenomenon that by nature is dynamic and living. Jean Katambayi Mukendi has been invited to write a text for the performance based on the language of electricity.

Depth of Discharge 16.09–13.11.2022: Solo, Turku Art Museum, FI

Depth of Discharge (2021) examines electricity through its mesmerizing magic, natural science, and the ideas of the Enlightenment, featuring objects associated with technology and energy use, including lithium, coal, circuit boards, copper wires and personal devices.

Everything Will Be Fine 14.09–10.10.2022: Museum of Technology, Berlin, DE

“Everything Will Be Fine” is an outdoor exhibition by the Berlin-based NGO Tactical Tech in co-production with HAU Hebbel am Ufer. Visitors are invited to enter a unique inflatable structure and follow self-chosen paths to reflect on their own reactions to our mounting planetary crises. With: Paolo Cirio, Marjolijn Dijkman, Disnovation.org, Vladan Joler, Egor Kraft, Agnieszka Kurant, Sybille Neumeyer, Liam Young and others.

What Are Men to Rocks and Mountains? 09.07–09.10.2022: P-OST, Nijmegen, NL

What Are Men to Rocks and Mountains? tries to get a grip on invisible supply chains, military gain, political conflict, and ecological devastation, all part of extractivism – the extraction of natural resources from the earth to sell them as commodities.

With: Ingrid Burrington, Rocio Berenguer, Kordae Jatafa Henry, Melissa Schwarz, Louise Silfversparre, Marjolijn Dijkman, Nella Piatek.
Curated by Lieke Wouters.