News

“Everything Will Be Fine” is an outdoor exhibition by the Berlin-based NGO Tactical Tech in co-production with HAU Hebbel am Ufer. Visitors are invited to enter a unique inflatable structure and follow self-chosen paths to reflect on their own reactions to our mounting planetary crises. With: Paolo Cirio, Marjolijn Dijkman, Disnovation.org, Vladan Joler, Egor Kraft, Agnieszka Kurant, Sybille Neumeyer, Liam Young and others.

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What Are Men to Rocks and Mountains? tries to get a grip on invisible supply chains, military gain, political conflict, and ecological devastation, all part of extractivism – the extraction of natural resources from the earth to sell them as commodities.

With: Ingrid Burrington, Rocio Berenguer, Kordae Jatafa Henry, Melissa Schwarz, Louise Silfversparre, Marjolijn Dijkman, Nella Piatek.
Curated by Lieke Wouters.

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Liquid Structures is a three-day programme of film screenings, exhibitions, and talks in the public space. With: Sol Archer; Ana Dziapshipa; Hito Steyerl;  Marjolijn Dijkman & Toril Johannessen; Cyprien Gaillard; Jonas Brinker; Emma Van Der Put; Piotr Armianovski; Meggy Rustamova; Uta Bekaia;  Zachary Formwalt; Jonathas de Andrade; Amauta Garcia & David Camargo; Marta Hryniuk & Erica Roux; Marco Pando; Li Ming; Sophio Meidoidze.

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How is technological innovation dependent on raw materials? This question is centre-stage in the exhibition Charging Myths by On-Trade-Off.

Participants: Alexis Destoop, Marjolijn Dijkman, Pélagie Gbaguidi, Femke Herregraven, Alain Nsenga, Dorine Mokha & Elia Rediger, Jean Katambayi Mukendi, Musasa, Georges Senga, Tétshim & Frank Mukunday, Pamela Tulizo, Maarten Vanden Eynde.

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EMOTIONS ARE OCEANS is the opening exhibition of RADIUS as a center for contemporary art and ecology and presents the work of nineteen artists around the subject of global water crisis.

Participating artists: Ursula Biemann, Carolina Caycedo, Marjolijn Dijkman & Toril Johannessen, Xandra van der Eijk, Denise Ferreira da Silva & Arjuna Neuman, Sami Hammana, Lukas Marxt, Josèfa Ntjam, Alice dos Reis, Himali Singh Soin, Riikka Tauriainen & Paloma Ayala & Anne-Laure Franchette, Susanne M. Winterling / The Kalpana, Müge Yilmaz.

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Fossil Experience addresses a number of the widely divergent – and in part violent – realities generated by the use of fossil fuels. Located in a former water reservoir, Fossil Experience brings together artistic works and stories about geographies affected by the speculation and resource extraction involved in energy production.

With: Ayọ̀ Akínwándé; Monira Al Qadiri; Kat Austen; Marjolijn Dijkman; Rachel O’Reilly.

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Ars Memoriae brings together a diverse selection of artworks that each deal in a unique way with memory in the framework of what we could define as a ‘media archaeology approach’. Together, they draw up a critical and alternative cartography of new media history.

Artists: Marjolijn Dijkman, Jean Katambayi Mukendi, Lo-Def Film Factory (Francois Knoetze & Amy-Louise Wilson) + Joe-Yves Salankang Sa-Ngol, Mimi Onuoha, Tabita Rezaire, Analia Saban, Suzanne Treister, Maarten Vanden Eynde.

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With: Marion Balac, Véronique Beland, Rocio Berenguer, Cindy Coutant, Marjolijn Dijkman, Eva L’Hoest, Anouk Kruithof, Mathilde Lavenne, Katherine Melançon, Victoire Thierrée.

Marjolijn Dijkman with ‘Mirror Worlds’ as part of Biennale NOVA_XX was given the Chroniques 2022 award.

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With: Christian Falsnaes, Max Guy, Minna Henriksson, Hesselholdt & Mejlvang, Ingela Ihrman, Toril Johannessen & Marjolijn Dijkman, Cheryl Pope, Sean Rapset, Wang & Söderström, Amanda Williams, and Michael x Ryan. Curated by the Floating Museum (Faheem Majeed, Andrew Schachman, Jeremiah Hulsebos-Spofford and Avery R. Young).

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Havet, Kalmar Art Museum’s major summer exhibition, revolves around the four nodes of environment, mythology, loss and displacement. With: Filippa Arrias, Jonas Dahm, Marjolijn Dijkman, Toril Johannessen, Nuutti Koskinen, Nils Lagergren, Cecelia Mellberg, Birgitta Silfverhielm, Johan Thurfjell, Lotte Törnroth and works from the Kalmar Art Association’s collection.

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The exhibition Aquaria – Or the Illusion of a Boxed Sea reflects on the possibilities and new questions that arise we could come up against when rethinking our relationship with the marine world. With: Revital Cohen & Tuur Van Balen, Julien Creuzet, Simon Denny, Marjolijn Dijkman & Toril Johannessen, Michela de Mattei, Alice des Reis, Eva Jack, Joan Jonas, Armin Linke, Superflex and Stef Veldhuis. Curated by Angela Rui.

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Reclaiming places tells the story of a changing world, and the claims of indigenous people to inhabit the space that surrounds them and that they are made of. The works presented here are bound by joint environmental concerns. They also explore the notions of inhabiting the land – as well as exploiting – and possessing – it. With: Marwa Arsanios, Marjolijn Dijkman, Laura Huertas Millán, Joar Nango, Otobong Nkanga.

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Through the curiosity and tenacity of artists’ investigations we encounter the manifold phenomena of the complex nature surrounding us. With: Rune Bosse, Stefanie Bühler, Marjolijn Dijkman, Tue Greenfort, Toril Johannessen, Sanna Kannisto, Anders Moseholm and Marika Seidler.

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This exhibition examines the changing sea around us. Things that we have taken for granted are uncertain and causal chains are surprising in the future. Changes in the horizon and emotions reflected by the sea are pondered over in the exhibition with the help of the works of contemporary international and Finnish artists.

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With: Catrin Andersson, Christian Falsnaes, Tue Greenfort, Max Guy, Ilkka Halso, Minna Henriksson, Ane Hjort Guttu, Hesselholdt & Mejlvang (Sofie Hesselholdt, Vibeke Mejlvang), Ingela Ihrman, Toril Johannessen & Marjolijn Dijkman, Floating Museum, (P)Art of the Biomass (Janna Holmstedt, Malin Lobell), Cheryl Pope, Sean Raspet, Michael x. Ryan, Nilsmagnus Sköld, Sophie Tottie, Wang & Söderström (Anny Wang, Tim Söderström), Amanda Williams.

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A Common Breath is a exhibition programme on decolonisation and ecology. With: Marwa Arsanios, Myriam Bahaffou, Minia Biabiany, Ama Josephine Budge, Isabel Burr Raty, Régine Debatty, Marjolijn Dijkman, Malcom Ferdinand, Laura Huertas Millán, Maxime Jean-Baptiste, Karrabing Film Collective, Kris Kimpe, Elizabeth Povinelli, Samira Saleh, Fabrizio Terranova and Ana Vaz.

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For her new commission in the CAC Lobby, Marjolijn Dijkman creates a custom collage comprised of photographs depicting obsolete ephemera associated with economies of energy—minerals, circuit boards, personal devices, and batteries. The photographs are captured using a high voltage photography technique with conductive glass, sourced from smartphones.

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NOME is pleased to announce the group exhibition Plan B, featuring works by James Bridle, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman, Goldin+Senneby, Igor Grubič, Khaled Hafez, Voluspa Jarpa, Rajkamal Kahlon, Navine G. Khan-Dossos, Sajan Mani, Ana Prvački, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

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With: Hesselholdt & Mejlvang, Carla Acevedo-Yates, Regina Agu, Carolina Caycedo, Stephanie Cristello, Ryan N. Dennis, Marjolijn Dijkman, Luise Faurschou, César García-Alvarez, Floating Museum, Elizabeth Hénaff, Toril Johannessen, Kirse Junge-Stevnsborg, Laura Lupton, Haley Mellin, Srimoyee Mitra, Cristina Molina, Hương Ngô, Katie A. Pfohl, Sean Raspet, Jodi Roberts, Mika Rottenberg, Shuddhabrata Sengupta, Kate Sierzputowski, Xaviera Simmons, Kim Stringfellow, Oscar Tuazon, Neville Wakefield, Willie Wright.

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Spoiled Waters Spilled focuses on the notion of toxicity, of circulation, of water (rivers), on ecology and activism. With: Minia Biabiany, Jessika Kharzik, Marjolijn Dijkman & Toril Johannessen, Witnesses, Marianne Fahmy, Rikke Luther, Elvia Teotski.

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Featuring works by Nora Al-Badri and Nikolai Nelles, James Bridle, Ingrid Burrington, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman and Toril Johannessen, Goldin+Senneby, Igor Grubić, Khaled Hafez, Navine G. Khan-Dossos, Sajan Mani, Matthew Plummer-Fernandez, Quayola, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

Curated by Luca Barbeni and Jesi Khadivi.

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Humanity is at a turning point. Individually and collectively, if they want to survive, human beings need to change their way of connecting with the world but also with each other. Is Manichaeism the only solution? Should we only think in terms of utopia and dystopia in order to discover new avenues?

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The starting point for the research project On-Trade-Off is the raw material lithium, a naturally occurring element (number three on the periodic table), and its crucial role in the global transition towards a ‘green and fossil fuel free economy’. With: Sammy Baloji, Marjolijn Dijkman, Jean Katambayi, Musasa, Georges Senga, Daddy Tshikaya, Maarten Vanden Eynde.

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With the exhibition Polarities – Psychology and Politics of Being Ecological – including the projects of this years winners of the BAD Award – MU stays with the Anthropocene trouble by tapping in on the extremities of our time, seen from the collaborative perspectives of scientists and artists, without losing sight of the way we must eventually all learn how to cope with drastic changes.

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