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With: Catrin Andersson, Christian Falsnaes, Tue Greenfort, Max Guy, Ilkka Halso, Minna Henriksson, Ane Hjort Guttu, Hesselholdt & Mejlvang (Sofie Hesselholdt, Vibeke Mejlvang), Ingela Ihrman, Toril Johannessen & Marjolijn Dijkman, Floating Museum, (P)Art of the Biomass (Janna Holmstedt, Malin Lobell), Cheryl Pope, Sean Raspet, Michael x. Ryan, Nilsmagnus Sköld, Sophie Tottie, Wang & Söderström (Anny Wang, Tim Söderström), Amanda Williams.

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A Common Breath is a exhibition programme on decolonisation and ecology. With: Marwa Arsanios, Myriam Bahaffou, Minia Biabiany, Ama Josephine Budge, Isabel Burr Raty, Régine Debatty, Marjolijn Dijkman, Malcom Ferdinand, Laura Huertas Millán, Maxime Jean-Baptiste, Karrabing Film Collective, Kris Kimpe, Elizabeth Povinelli, Samira Saleh, Fabrizio Terranova and Ana Vaz.

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For her new commission in the CAC Lobby, Marjolijn Dijkman creates a custom collage comprised of photographs depicting obsolete ephemera associated with economies of energy—minerals, circuit boards, personal devices, and batteries. The photographs are captured using a high voltage photography technique with conductive glass, sourced from smartphones.

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NOME is pleased to announce the group exhibition Plan B, featuring works by James Bridle, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman, Goldin+Senneby, Igor Grubič, Khaled Hafez, Voluspa Jarpa, Rajkamal Kahlon, Navine G. Khan-Dossos, Sajan Mani, Ana Prvački, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

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With: Hesselholdt & Mejlvang, Carla Acevedo-Yates, Regina Agu, Carolina Caycedo, Stephanie Cristello, Ryan N. Dennis, Marjolijn Dijkman, Luise Faurschou, César García-Alvarez, Floating Museum, Elizabeth Hénaff, Toril Johannessen, Kirse Junge-Stevnsborg, Laura Lupton, Haley Mellin, Srimoyee Mitra, Cristina Molina, Hương Ngô, Katie A. Pfohl, Sean Raspet, Jodi Roberts, Mika Rottenberg, Shuddhabrata Sengupta, Kate Sierzputowski, Xaviera Simmons, Kim Stringfellow, Oscar Tuazon, Neville Wakefield, Willie Wright.

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Spoiled Waters Spilled focuses on the notion of toxicity, of circulation, of water (rivers), on ecology and activism. With: Minia Biabiany, Jessika Kharzik, Marjolijn Dijkman & Toril Johannessen, Witnesses, Marianne Fahmy, Rikke Luther, Elvia Teotski.

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Featuring works by Nora Al-Badri and Nikolai Nelles, James Bridle, Ingrid Burrington, Paolo Cirio, Cian Dayrit, Marjolijn Dijkman and Toril Johannessen, Goldin+Senneby, Igor Grubić, Khaled Hafez, Navine G. Khan-Dossos, Sajan Mani, Matthew Plummer-Fernandez, Quayola, Kameelah Janan Rasheed, Kirsten Stolle, and Xiyadie.

Curated by Luca Barbeni and Jesi Khadivi.

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Humanity is at a turning point. Individually and collectively, if they want to survive, human beings need to change their way of connecting with the world but also with each other. Is Manichaeism the only solution? Should we only think in terms of utopia and dystopia in order to discover new avenues?

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The starting point for the research project On-Trade-Off is the raw material lithium, a naturally occurring element (number three on the periodic table), and its crucial role in the global transition towards a ‘green and fossil fuel free economy’. With: Sammy Baloji, Marjolijn Dijkman, Jean Katambayi, Musasa, Georges Senga, Daddy Tshikaya, Maarten Vanden Eynde.

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With the exhibition Polarities – Psychology and Politics of Being Ecological – including the projects of this years winners of the BAD Award – MU stays with the Anthropocene trouble by tapping in on the extremities of our time, seen from the collaborative perspectives of scientists and artists, without losing sight of the way we must eventually all learn how to cope with drastic changes.

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‘The Extended Mind’ proposes that our cognition – that is our mind, thoughts, reasoning, perception, imagination, intelligence, emotion and experience – does not just take place within our brains. It also takes place through our bodies and the broader world and enabled by all the tools, technologies, institutions, materials and techniques we might use to orientate our understanding of where we are in the world.

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The Dutch contribution to the XXII Triennale di Milano comprises a programme of events in Milan, Rotterdam, and a publication. It takes the complex relationships between light and dark, between seeing and not seeing, as a starting point for an exploration of their conflicting effects on humans, the Earth and other organisms.

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On-Trade-Off: The Weight of Wonders is an artistic trajectory initiated by Picha (DRC) and Enough Room for Space (BE). The exhibition shows works by Sammy Baloji, Marjolijn Dijkman, Maarten Vanden Eynde, Musasa, Jean Katambayi, Georges Senga and Daddy Tshikaya. On-Trade-Off highlights lithium (li3), which is considered ‘the new black gold’ because of its crucial role in the global transition to a fossil-free economy.

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Future Genealogies, Tales From The Equatorial Line takes the Equator’s imaginary line not as one of demarcation—the majestic Congo River disregards it by straddling it twice—but rather of imbrication. At its closest a place where earth gravity alleviates and where the poles’ magnetic attractions balance each other, the equatorial latitude opens the possibility for narratives that respond to alternate compasses, recognizes new centers of gravity and where de-polarized stories can unfold.

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The Screen City Biennial 2019 aims to present, facilitate and examine art and artistic inquiry questioning the effect of human action on implicated ecologies.

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The narrative path of the exhibition Under Water uniquely avoids analysing ideological problems in the Anthropocene Era and those that can be considered as scenarios of a “post-water” future. 

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Uncommon Nature looks towards ideas of collective experience and the inherent multiplicity that is encapsulated within it both online and ‘in real life’. Satellite is a screen-based public art project that exists across multiple public locations simultaneously. With: Jonathas de Andrade, Marjolijn Dijkman, Budhaditya Chattopadhyay, Martina Amati, Rä di Martino.

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The exhibition title Being(s) with draws our attention from human-centered thinking to how everything is connected through various intertwining, co-dependent materials, beings and technologies. However, these relations are not purely harmonious. The challenge of being with others is the core of the exhibition. Its twenty selected artists provide an extensive study of how non-human factors and powers shape our lives.

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The exhibition POSTCENTRAL touches on the question of where “the body” can be found and where it might be heading, with a focus on non-naturalist ideas of women’s and queer bodies as spaces of futurity and potential.

Curated by Navine G. Khan- Dossos. With Zach Blas, Jesse Darling, Marjolijn Dijkman, Antye Guenther, Lynn Hershman Leeson, Kirsten Stolle, Addie Wagenknecht, Xiyadie.

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The TENDENCIES exhibition focuses on works that question scientific and technological innovations as much as they incorporate them. For this fourth edition, it looks at our relationship with possible futures, be they dystopian or utopian.

Sound and visual installations by six artists, Marjolijn Dijkman, Jerry Galle, Mikkel Rørbo, Kris Verdonck, Pierre Jean Giloux, and SEAD Collective, are brought together to provoke an overview effect, like that experienced by certain astronauts when they observe Earth from space and realise how fragile life is.

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This LUNÄ Talk, held as part of On-Trade-Off, will focus on the environmental, social and economic implications of the extraction and processing of lithium. Hosted by the artists Marjolijn Dijkman and Maarten Vanden Eynde, researchers Raf Custers, Jeroen Cuvelier, Zheng Li, Tine Hens will engage in conversation with the artists Femke Herregraven, Sammy Baloji and Jean Katambayi who are part of the project On-Trade-Off.

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The sculptural installation Liquid Properties, realised in collaboration with Toril Johannessen, is currently on view as part of the group exhibition Time Within Time at Verbeke Foundation, a private art site where culture, nature and ecology go hand in hand. Liquid Properties is an experiment that looks at how we relate to (microscopic) life, questioning what is considered attractive, natural, resilient, repulsive, toxic or harmful.

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Human beings, nature, money, data, goods …, all around us, nearby or very far away, everything is continuously in flux. The artists in this exhibition do not position themselves in the focal points of current events. They move quietly and unravel the deeper nature of mankind as a species in constant motion.

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The works in this group exhibition will create an awareness of how different elements are entangled in a network of relations. The complexity and relational nature in the works offer a change of perspective of the world and our place in it.

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